Sonos SUB is an enigmatic object—almost a distant relative of the monolith in 2001—streamlined yet blocky, polished yet dark. Equipped with a single button for syncing to its host wireless network, this subwoofer emits sound from its depths via centrally mounted speakers positioned face to face, as if talking to one another: nondirectional sound, more physical than audible, perfect for reproducing the bass in everything from Apocalypse Now’s helicopter rhythms to Thomas Köner’s vast soundscapes.
